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Because reading systems were split on which font obfuscation method they supported, EPUB creators were forced to create two versions of the file, one of each using the two methods. However, as of this writing, the major reading systems are no longer split in this regard and are using the obfuscation recommended by the IDPF.
Therefore, preparing two files is no longer necessary. If you come by such advice on the Web, it is based on outdated information. Previous versions of InDesign used the Adobe obfuscation method. The biggest offender in this regard is any version of Adobe InDesign before CS6, which uses the Adobe obfuscation method.
Since InDesign is the tool of choice for many ebook creators who have not yet updated to version CS6, it is little wonder that there is so much confusion. You can easily check which type of obfuscation your software is applying to a font.
Look for a file named encryption. Simply changing a line in the encryption. You need a tool that employs the IDPF algorithm that is supported by the major reading systems. The fonts that I tested rendered as expected on the major reading platforms.
Now that the reading systems are supporting the same obfuscation method, we should see more tools like Sigil emerge, which will make adding font obfuscation easier. Subsetting a Font When you embed a font, you can optionally choose to subset it.
When you subset a font, you include only the glyphs that you need, i. If you were to subset the font before embedding it, the character information for the alpha would be thrown out since it is not needed in the context of your EPUB. The primary advantage of subsetting an embedded font is that doing so reduces the file size, sometimes significantly.
I then prepared yet another version of the EPUB, only this time I subsetted the font so that it included support for the 18 glyphs that I needed for the epigraph. The results were dramatic: the file size dropped from KB to 15 KB, and the characters rendered as expected. You can subset a font and you can obfuscate a font, or any combination therein. While it makes sense to subset a font when you embed it, there are few tools that make it easy to do so.
As with obfuscation, Adobe InDesign CS6 is probably the best commercial tool available for subsetting. When you create an EPUB file with InDesign CS6, it both subsets and obfuscates embedded fonts by default, which is arguably the best possible result since you are effectively addressing licensing requirements and file size concerns simultaneously.
The counterargument might be that InDesign is overzealous since there is no way to disable subsetting and obfuscation. You can even choose the exact characters that you wish to subset, which is what I did for the epigraph. While this tool is useful, it has several limitations. Also, it is somewhat slow my test took several minutes and can only be used via the Font Squirrel web interface.
Licenses are typically downloadd from a font foundry such as Monotype Imaging or Adobe or typeface designers operating independently. As described in this useful FAQ from Monotype , standard font licenses typically allow installation of the font on a number of servers or workstations for use on print products. Additional and usually separate licensing is available for embedding a font on a website or an EPUB.
Importantly, the font data ceases to be a separate, usable font file, which protects the font from unauthorized use.
Be careful to keep this ambiguity in mind when reviewing font licenses for possible embedding in EPUB. An Adobe license, for example, may in fact permit the use of embedding, but probably not in the way that we mean in the context of EPUB.
As described in Maybe You Should , there are plenty of good reasons to embed fonts, so the extra work may very well be worthwhile. You have a couple of options, covered in the next sections. Use an Open Font If commercial font licensing in EPUB seems intimidating and perhaps just not worth the added overhead, you can still enjoy some of the benefits of embedding by using a font with an open license. Services such Google web fonts and Font Squirrel offer hundreds fonts that are free for commercial use.
Google web fonts has the added bonus of being optimized for the screen, so they should look good in many reading systems. If nothing else, these services provide a fun and free way to experiment without having to worry about a license should you decide to embed the font in your final product.
Just to get a sense of the variety of licenses, take a look at the Wikipedia open source Unicode typefaces page. Contact the Foundry Directly If you want to include a commercial font, consider contacting the foundry directly. The types of licenses that are available for font embedding can vary among foundries and the fonts that they offer. Also, keep in mind that EULAs are evolving rapidly along with the maturation of ebook ecosystems, so it may be a good idea to check in every few months with your foundry to learn what new options may be available to you.
In Defense of Font Foundries and Typeface Designers Given the sometimes limited licensing options, it can be easy to become frustrated with foundries and the typeface designers that they represent. And he loved arguing with her about the things about it that they disagreed on.
But he knew she was throwing the project o The desire to possess her superseded everything else. Like common sense. Like every other time. He put both hands on her ass and pulled her up against him.
Not that there was a long way to go. She had already wrapped her arms around his neck and was arching into him, trying to get closer. Dillon made a note to work diligently on his bedside manner. It was good for his patients, of course, but damn, it was more than good to have Kit up against him again. And then he stopped making notes about anything but the way to get Kit to arch and moan and tighten her grip and open her mouth. She did all those things as he licked along her bottom lip and then sucked the tender flesh into his mouth.
Her moan fired every nerve ending in his body. And they all had one message—take her. Dillon turned her and backed her into the counter.
The firm surface behind her butt made To put more clothes on. Well, that was fine. For now. But she was running. She always ran. But those complications were over now. They lived in the same town, they were here working together, and, no matter what she said, they did like each other.
A lot. She was demanding and opinionated and proud and strong. Not very far, at least. He ate his chili without tasting it.
Then he tried hers. It was amazing. Of course. Except admitting her own feelings, of course.
Which was ironic, considering her profession was to make people—okay, help people—admit their f But now. She had never wanted him more. He pulled the crispy outer crust off one marshmallow and held it out.
She took his finger and thumb between her lips, sucking the toasted sugar onto her tongue and letting it melt in her mouth. She sucked on his fingers, then ran her tongue over the pads of each. He made a soft growling noise that made heat slip from her chest, through her stomach, to settle between her legs.
She moved onto his lap, straddling his thighs, putting her breasts right there for him. Dillon slid the sticky white glob from the end of the stick. He spread the marshmallow over her right nipple with one hand while the other splayed between her shoulder blades and brought her up to his mouth.
He licked and sucked until the sugar was completely gone. Or at least, Kit assumed it was gone. Every time she wore her red skirt, for instance. And every time she got on his case about something. And every time he got close enough to smell her. And every time she gave him one of her signature eye rolls.
But today was different. Today he was grinning the grin of a fool in love. Three people had already commented on his great mood, and Janice had caught him whistling earlier. But he was serious at work. He joked, he smiled, he tried to praise the staff when he could, and he always tried to be honest but optimistic with patients.
But right now Dating her. Man, he loved that. They should have absolutely done this a long time ago. He just fucking liked being with her. But going down on her in her office while she was on the phone was, quite frankly, a fantasy come true. He knew Helen. He even liked Helen, mostly. It was this red pencil skirt.
That was part of it. He was now in heaven. She was wearing silky red panties to match, and as he kissed up the inside of her th She had an appointment with Gwen and Larry Thomas for marriage counseling. But she reached for her phone.